'I am as fond of fine music and handsome buildings as Milton was, or Cromwell, or Bunyan; but if I found that they were becoming the instruments of a systematic idolatry of sensuousness, I would hold it good statesmanship to blow up every cathedral in the world to pieces with dynamite'
Disgusted and bored by the trend for titillation and sham on the London stage, Shaw wrote these plays both to educate and entertain his audiences. In The Devil's Disciple, a clergyman turned soldier and the Shavian ideal of a Puritan hero—'like all genuinely religious men, a reprobate and an outcast'—willingly risks his life for a stranger. Caesar and Cleopatra, a brilliant satire on contemporary Britain, contains an utterly unexpected portrait of Julius Caesar ('part brute, part woman'). In Captain Brassbound's Conversion it is Lady Cicely's cunning manipulation of the truth that ensures that fairness, rather than justice, prevails.
Three Plays for Puritans reveals Shaw's constant delight in turning received wisdom upside down and celebrating the triumph of the individual conscience over accepted morality.
The definitive text under the editorial supervision of Dan H. Laurence
Three Plays for Puritans
Preface
Why for Puritans?
On Diabolonian Ethics
Better than Shakespear?
The Devil's Disciple: A Melodrama
Notes to The Devil's Disciple:
General Burgoyne
Brudenell
Caesar and Cleopatra: A History
Notes to Caesar and Cleopatra:
Cleopatra's Cure for Baldness
Apparent Anachronisms
Cleopatra
Britannus
Julius Caesar
Captain Brassbound's Conversion: An Adventure
Notes to Captain Brassbound:
Sources of the Play
English and American Dialects
