Sacrament of Lies
Elizabeth Dewberry - Author
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When Grayson Guillory's mother died, she helped her father get rid of the vodka and pill bottles next to the body. It wouldn't do for Louisiana's governor to have a wife who committed suicide after years of mental illness-especially just as he's contemplating the presidency. Grayson's husband-her father's speechwriter-helps keep the story quiet, and the family doctor makes sure the official cause of death will be a heart attack. But Grayson has a problem. When she thought she was helping her father cover up a suicide, she might actually have been covering up a murder. Because Grayson's mother left behind a videotape in which she claims her life is in danger. Of course, Grayson's mother did suffer from paranoid delusions. And maybe Grayson does too: manic depression is a highly hereditary illness. But just because she's paranoid doesn't mean they're not out to get her...
“One is sucked into the story on the first page, but rushing to the end is futile. The writing is so skillful and the wordplay so exquisite that one wants to savor each paragraph the way the characters savor their Sazeracs. Perfection from start to finish.”—Library Journal (starred) “Immensely readable and smart.”—Richard Ford “A whodunit with a central question that's more Henry James than P.D. James: Is Grayson going mad, or is she the only sane one in the bunch?”—The Washington Post “[A] Hitchcockian gem.”—Publishers Weekly “Packs an unexpected punch.”—The Denver Post “The book ends with powerful and terrifying impact.”—The Bloomsbury Review “A delicious blend of nail-biting action and sensual imagery. Dewberry lets it simmer then build to a boil.”—The New Orleans Times-Picayune “In Sacrament of Lies, the line between certainty and madness is as thin as a razor and equally as dangerous. Elizabeth Dewberry has given us a rare gift, a literary thriller that will keep us up all night. This book is riveting.”—Ann Patchett, author of Bel Canto “An enimently readable literary thriller...a very distinctive narrative voice.”—Booklist
“Dewberry deftly and gracefully captures the harrowing fear, distrust, and dread of a woman abused psychologically by a powerful male...No one writing today can match Dewberry's skill in capturing her character's voice. As she tells her story, Grayson's fears become our fears, and her doubts become our own. Moreover, Dewberry perfectly renders Grayson's ambivalence about the religious meanings of evil, death, truth, even God...Dewberry's lyrical writing, her deft grasp of voice, and her penetrating psychological insights provide an unforgettable picture of loss, hope, and redemption.”—Charlotte Observer “Gracefully written...a solid story that constantly keeps the reader off balance.”—South Florida Sun-Sentinel
“Evocative prose.”—Abilene Reporter-News
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