Reality TV meets a chillingly realistic version of America--and the fame game is on!
Amy had dreams of going to college, until the Collapse destroyed the economy and her future. Now she is desperate for any job that will help support her terminally ill grandmother and rebellious younger sister. When she finds herself in the running for a slot on a new reality TV show, she signs on the dotted line, despite her misgivings. And she's right to have them. TLN's Who Knows People, Baby--You? has an irresistible premise: correctly predict what the teenage cast will do in a crisis and win millions. But the network has pulled strings to make it work, using everything from 24/7 hidden cameras to life-threatening technology to flat-out rigging. Worse, every time the ratings slip, TLN ups the ante. Soon Amy is fighting for her life--on and off camera.
Trapped in a reality TV game show unlike any other...
I'm Alex Everett," the bald man said. "Before we do the rest of the introductions, let me explain for those of you who still don't understand what you're doing here." He winked at Amy, who kept her face as blank as she could manage. "You lucky seven have been chosen from hundreds of applicants for Taunton Life Network's newest show, Who Knows People, Baby—You? Myra Townsend and I are the producers, and this is how the show works."
As he explained, Amy seethed. So the dog in the tree had been a setup and she'd been filmed. The "robbery" in the lobby. The "rats" outside the doctor's office—which she had believed were a legitimate student-film project. She had been played, and she didn't like it one bit.
"I quit," she said loudly.
Everyone's head swiveled to look at her.
"Of course," Alex said, watching Amy closely, "you're free to quit if you choose. This is a job, not serfdom. There is a long waiting list of girls ready to take your place. But then we'll expect repayment of the advance you've received."
Mrs. Raduski's rent. Gran.
Violet, in the chair beside her, found Amy's hand and squeezed it.
Amy choked out, "I'll stay."
“Breakneck, twisty plot. The day-after-tomorrow setting, anchored by brand-name allusions and crises ripped from the headlines, adds both eerie familiarity and terrifying plausibility.”—Kirkus Reviews
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