The Green Glass Sea

Ellen Klages - Author

Hardcover | $17.99 | add to cart | view cart
ISBN 9780670061341 | 336 pages | 19 Oct 2006 | Viking Children's | 8.26 x 5.51in | 10 - AND UP years
Additional Formats:
  • Horn Book Award
    Scott O'Dell Award
    Quill Award
Summary of The Green Glass Sea Summary of The Green Glass Sea Reviews for The Green Glass Sea An Excerpt from The Green Glass Sea
It is 1943, and 11-year-old Dewey Kerrigan is traveling west on a train to live with her scientist father—but no one, not her father nor the military guardians who accompany her, will tell her exactly where he is. When she reaches Los Alamos, New Mexico, she learns why: he's working on a top secret government program. Over the next few years, Dewey gets to know eminent scientists, starts tinkering with her own mechanical projects, becomes friends with a budding artist who is as much of a misfit as she is—and, all the while, has no idea how the Manhattan Project is about to change the world. This book's fresh prose and fascinating subject are like nothing you've read before.

Treasure at the Dump

Dewey took a final bite of her apple and, without taking her eyes off her book, put the core into the brown paper sack on the ground next to her. She was reading a biography, the life of Faraday, and she was just coming to the exciting part where he figured out about electricity and magnetism. She leaned contentedly against Papa’s shoulder and turned the page.

Today they had chosen to sit against the west wall of the commissary for their picnic lunch. It offered a little bit of shade, they could look out at the Pond, and it was three minutes from Papa’s office, which meant they could spend almost the whole hour reading together.

“Dews?” Papa said a few minutes later. “Remember the other night when we were talking about how much math and music are related?”

Dewey nodded.

“Well, there was a quote I couldn’t quite recall, and I just found it. Listen.” He began to read, very slowly. “ ‘Music is the hidden arithmetic of the soul, which does not know that it deals with numbers. Music is the pleasure the human mind experiences from counting without being aware that it is counting.’ That’s exactly what I was talking about.”

“Who said it?” Dewey asked.

“Leibniz. Gottfried Wilhelm Leibniz. He was an interesting guy, a mathematician and a philosopher and a musician to boot. You’d like him.”

“Can I borrow that book when you’re done?”

“I don’t think you’d get far,” he laughed. He turned and showed her his book, bound in very old, brown leather that was flaking off in places. The page it was open to was covered in an odd, heavy black type.

“It’s in German,” Dewey said, surprised. That explained why he had read so slowly. He’d been translating. “So is Leibniz a Nazi?”

“Hardly. He died more than two hundred years ago, long before there were any Nazis.” He shook his head. “Don’t make the mistake of throwing out a whole culture just because some madmen speak the same language. Remember, Beethoven was German. And Bach, and—”

The rest of his sentence was interrupted by the shrill siren from the Tech Area. He sighed. “Time to go back to my own numbers.” He closed his book, then leaned over and kissed Dewey on the top of her head. “What’re you up to this afternoon?” He stood up, brushed the crumbs from his sandwich off his lap into the dirt, then brushed the dirt itself off the back of his pants.

Dewey squinted up at him. “I think I’ll sit here and read for a while. A couple more chapters anyway. Then I’m going to the dump. Some of the labs are moving into the Gamma Building, now that it’s done, and people always throw out good stuff when they move.”

He smiled. “Looking for anything in particular?”

“I don’t know yet. I need some bigger gears and some knobs and dials. And some ball bearings,” she added after a short pause. “I’ll show you at dinner if I find anything really special.”

“Deal. We’re just analyzing data this afternoon, so I may actually get out at 5:30. If you get home before me, put the casserole in the oven and we can eat around seven.” He tucked his book under his arm.

“Okay.” Dewey watched him walk around the corner of the building, then turned back to her book.

“Klages makes an impressive debut with an ambitious, meticulously researched novel set during WWII. Writing from the points of view of two displaced children, she successfully recreates life at Los Alamos Camp, where scientists and mathematicians converge with their families to construct and test the first nuclear bomb.”—Publishers Weekly, starred review

"Dewey, ten, embarks alone on a mysterious train trip from her grandmother's home in St. Louis to New Mexico, where she will rejoin her often-absent mathematician father. It's 1943, and Dewey's dad is working at Los Alamos -- "the Hill" -- with hundreds of other scientists and their families. Klages evokes both the big-sky landscape of the Southwest and a community where "everything is secret" with inviting ease and the right details, focusing particularly on the society of the children who live there. Dewey seems comfortable with her own oddness (she's small for her age, slightly lame, and loves inventing mechanical gizmos) and serves as something of an example to another girl, Suze, who has been trying desperately to fit in. Their burgeoning friendship sees them through bouts of taunting, their parents' ceaseless attention to "the gadget," personal tragedy, and of course the test detonation early on July 16, 1945, which the two girls watch from a mesa two hundred miles away: "Dewey could see the colors and patterns of blankets and shirts that had been indistinct grays a second before, as if it were instantly morning, as if the sun had risen in the south, just this once." Cameo appearances are made by such famous names as Richard Feynman (he helps Dewey build a radio) and Robert Oppenheimer, but the story, an intense but accessible page-turner, firmly belongs to the girls and their families; history and story are drawn together with confidence." -The Horn Book Magazine, starred review

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