ISBN 9781101143773 | 448 pages | 01 Dec 2001 | Signet Classic | 8.26 x 5.23in | 18 - AND UP
Summary of Madame Bovary Summary of Madame Bovary Reviews for Madame Bovary An Excerpt from Madame Bovary
Both embodiment and victim of the self-satisfied nineteenth-century French bourgeoisie, Emma Bovary lives in pursuit of something more, like the world depicted in the romance novels that have come to define her. Emma is oblivious to the realities of life, and her romantic delusions and search for transcendence through sex, money, and social position serve only to drive the increasingly troubled woman into an irreversible moral, emotional, and spiritual decline. That the author depicted his heroine in neutral terms, without condemnation, resulted in obscenity charges from the French courts, which likened the “lascivious” Madame Bovary’s “lack of restraint” to “a woman who throws off all garments.” Exactly. Madame Bovary remains one of the most daring and liberating novels ever written.
Includes The Trial of Madame Bovary
Translated by Mildred Marmur
With an Introduction by Robin Morgan and a New Afterword by Frederick Brown
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Praise for Lydia Davis' translation of Madame Bovary:
"[Flaubert's] masterwork has been given the English translation it deserves."
—Kathryn Harrison, The New York Times Book Review
"Dazzling . . . translated to perfect pitch . . . [Davis has] left us the richer with this translation. . . . I'd certainly say it is necessary to have hers."
—Jacki Lyden, NPR.org, Favorite Books of the Year
"One of the most important books of the year . . . Flaubert's strict, elegant, rhythmic sentences come alive in Davis's English."
—James Wood, The New Yorker's Book Bench
Praise for Penguin Drop Caps:
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times
"Classic reads in stunning covers—your book club will be dying."