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The Weird Sisters

Eleanor Brown - Author

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ISBN 9781101486375 | 368 pages | 20 Jan 2011 | Berkley | 18 - AND UP
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This is the "delightful" (People) New York Times bestseller that's earned raves from Sarah Blake, Helen Simonson, and reviewers everywhere-the story of three sisters who love each other, but just don't happen to like each other very much...

Three sisters have returned to their childhood home, reuniting the eccentric Andreas family. Here, books are a passion (there is no problem a library card can't solve) and TV is something other people watch. Their father-a professor of Shakespeare who speaks almost exclusively in verse-named them after the Bard's heroines. It's a lot to live up to.

The sisters have a hard time communicating with their parents and their lovers, but especially with one another. What can the shy homebody eldest sister, the fast-living middle child, and the bohemian youngest sibling have in common? Only that none has found life to be what was expected; and now, faced with their parents' frailty and their own personal disappointments, not even a book can solve what ails them...

PROLOGUE

We came home because we were failures. We wouldn’t admit that, of course, not at first, not to ourselves, and certainly not to anyone else. We said we came home because our mother was ill, because we needed a break, a momentary pause before setting off for the Next Big Thing. But the truth was, we had failed, and rather than let anyone else know, we crafted careful excuses and alibis, and wrapped them around ourselves like a cloak to keep out the cold truth. The first stage: denial.

For Cordelia, the youngest, it began with the letters. They arrived the same day, though their contents were so different that she had to look back at the postmarks to see which one had been sent first. They seemed so simple, paper in her hands, vulnerable to rain, or fire, or incautious care, but she would not destroy them. These were the kind you save, folded into a memory box, to be opened years later with fingers against crackling age, heart pounding with the sick desire to be possessed by memory.

We should tell you what they said, and we will, because their con¬tents affect everything that happened afterward, but we first have to ex¬plain how our family communicates, and to do that, we have to explain our family.

Oh, man.

Perhaps we had just better explain our father.

If you took a college course on Shakespeare, our father’s name might be resident in some dim corner of your mind, under layers of unused telephone numbers, forgotten dreams, and the words that never seem to make it to the tip of your tongue when you need them. Our father is Dr. James Andreas, professor of English literature at Barnwell College, sin¬gular focus: The Immortal Bard.

The words that might come to mind to describe our father’s work are insufficient to convey to you what it is like to live with someone with such a singular preoccupation. Enthusiast, expert, obsessed—these words all thud hollow when faced with the sandstorm of Shakespeare in which we were raised. Sonnets were our nursery rhymes. The three of us were given advice and instruction in couplets; we were more likely to refer to a hated playmate as a “fat-kidneyed rascal” than a jerk; we played under the ta¬bles at Christmas parties where phrases like “deconstructionist philoso¬phy” and “patriarchal malfeasance” drifted down through the heavy tablecloths with the carols.

And this only begins to describe it.

But it is enough for our purposes.

The first letter was from Rose: precise pen on thick vellum. From Romeo and Juliet; Cordy knew it at once. We met, we woo’d and made exchange of vow, I’ll tell thee as we pass; but this I pray, That thou consent to marry us to-day.

And now you will understand this was our oldest sister’s way of telling us that she was getting married.

The second was from our father. He communicates almost exclusively through pages copied from The Riverside Shakespeare. The pages are so heavily annotated with decades of thoughts, of interpretations, that we can barely make out the lines of text he highlights. But it matters not; we have been nursed and nurtured on the plays, and the slightest reminder brings the language back.

Come, let us go; and pray to all the gods/For our beloved mother in her pains. And this is how Cordy knew our mother had cancer. This is how she knew we had to come home.

ONE

ordy had never stolen anything before. As a matter of pride, when our friends were practicing their light-fingered shuffles across the shelves of Barnwell’s stores in our teens, she had re¬fused to participate, refused even to wear the cheap earrings and clumpy lipstick or listen to the shoplifted music. But here she was in this no-name desert town, facing off against the wall of pregnancy tests, knowing full well she didn’t have the money to pay for one. A Wild West shootout: Cordy versus the little pink sticks at high noon.

She’d wanted to do this somewhere anonymous, in a wide-aisled store that hummed with soft, inoffensive music and belonged to a company, not a person, but those stores had long ago gotten smart, put anti-theft devices like hunch-shouldered guardians at the doors. So she was in this dusty little mom and pop drugstore, her stomach churning, cheeks bright with fire.

“Strike up the drum; cry ‘Courage!’ and away,” she whispered to her¬self, and then giggled, one thin hand sneaking out to grab one of the boxes—any one, it didn’t matter. They’d all tell her the thing she already knew but refused to admit.

She slipped the box into her gaping shoulder bag with one hand, the other rooting around at the bottom for the remnants of her last, months-ago paycheck, the few loose coins buried in a grave of stale breath mints, lint, and broken pens. Along the way, she grabbed a toffee bar off the shelf and presented it to the cashier, digging for a few more pennies, her hand burning when she brushed against the box hidden in the loose depths.

Outside the store, a rush of elation. “Too easy,” she said aloud to the empty street, her skirt whispering against the sidewalk, already gone hot and sullen in the rise of spring, her sandals so worn that she could feel the insistent warmth against her heels. The pleasure of the forbidden lasted until she had made it back to the house, ramshackle and dark, where she was staying, a few people crashed on the broken furniture in the living room, sleeping off last night’s excess. She yanked open the box, tossing the instructions in the direction of the trash can, and did the deed. Hud¬dled on the toilet in the bathroom, tile cracked and shredding beneath her feet, staring at the pink line, pale as fading newsprint, her conscience caught up with her.

“It doesn’t get much lower than this, old Cordy, old sock,” she could hear Bean telling her cheerfully.

“How are you going to take care of a baby if you can’t even afford a pregnancy test?” Rose harped.

Cordy brushed our imaginary voices aside and buried the evidence in the trash can. It didn’t make a difference, really, she told herself. She’d been headed home anyway, wandering a circuitous loop, going where the wind or the next ride took her. This just confirmed what she’d already known—that after seven years of floating like a dandelion seed, it was time to settle down.

Settle down. She shuddered.

Those words were a bell ringing inside her. That was, after all, why she’d left. Just before exams in the spring of her junior year at Barnwell College, she’d been in the study lounge in the psychology department, lying on the industrial carpet, her arms locked as she held a textbook above her face. Two women, seniors, were talking nearby—one of them was getting married, the other going to graduate school. Cordy lowered the book to her chest, its weight pressing harder and harder against her heart as she listened to the litany of What Was to Come. Wedding favors and student loans. Mortgages and health insurance. Careers and taxes. Unable to breathe, she shoved the book onto the floor and walked out of the lounge. If that was the future, she wanted no part of it.

It was our fault, probably, the way we’d always babied her. Or maybe it was our father’s fault—Cordelia had always been his favorite. He’d never said no to her, not to her breathless baby cries, not to her childhood entreaties for ballet lessons (dropped before they got to fourth position, though she did wear the tutu for an awful long time after that, so it wasn’t a total waste), and not to the desperate late-night calls for cash infusions in the years she’d spent drifting around the country, accomplishing noth¬ing in particular. She was the Cordelia to his Lear, legendary in her devo¬tion. He always lov’d our sister most. But whoever’s fault it was, Cordy had thus far refused to grow up, and we’d indulged that in the same way we’d indulged every other whim she’d had for nearly her entire life. After all, we could hardly blame her. We were fairly certain that if anyone made public the various and variegated ways in which being an adult sucked eggs, more people might opt out entirely.

But now? Growing up didn’t seem so much like a choice anymore. Cordy fumbled around through one of the bedrooms until she found a calendar, counting backward. It was almost June now, she was fairly cer¬tain. And she’d left Oregon, the last stop on that long, strange trip, in, what, February? She rubbed her knuckles on her forehead, thinking. It had been so long since things like dates mattered.

But she could trace the journey back, before she’d started feeling so empty and nauseated in the mornings, before her breasts had grown ten¬der enough that even the material of a T-shirt seemed like it was scraping against her skin, before the endless fatigue that swept over her at the strangest times, before she’d known. Washington, California, Arizona. Her period had come in Arizona; she dimly remembered a tussle with a recalcitrant tampon dispenser in a rest stop bathroom. And then she’d gone to New Mexico, where there’d been a painter, much older, his hair painted with shocking strands of white, his skin wrinkled from the sun, his hands broad and callused. She’d paused there for a few weeks, waitressing a handful of shifts to make money for the rest of the trip home, not that it had lasted. He’d come into the restaurant to eat, all by himself, and it had been so late, and his eyes were so lonely. For a week she’d stayed with him, spending the days curled on a couch in his studio, reading and staring out over the arroyos while he painted in silence: strange, contorted swirls of color that dripped off the canvases onto the floor. But he’d been gentle, and blessedly quiet, and after so much Sturm und Drang, she’d nearly been sad to leave. The last night, there’d been a broken condom, a hushed argument, dark dreams, and the next morning she had been gone.

Slumping on the bed, Cordy let the calendar fall from her hands. What was she supposed to do now? Go back to New Mexico and tell the painter? She doubted he’d be excited to hear the news. She wasn’t exactly thrilled herself. Maybe she’d have a miscarriage. Heroines in novels were always having serendipitously timed miscarriages that saved them from having to make sticky decisions. And Cordy had always been awfully lucky.

Until now.

Cordy stepped over the piles of dirty clothes on the floor and back into the hallway. The crashers in the living room were still snoring as she tiptoed through to the kitchen, where she’d left her backpack. She’d lived here one winter—it seemed like years ago, but it couldn’t have been that long, since this was the address the letters had come to. Had it been years ago? Had it really been years since she had been in one place long enough to have an address?

Gritting her teeth, Cordy began shoving things into the bag. She didn’t know what to do. But that was okay. Someone would figure this out for her. Someone would take care of her. Someone always took care of her.

No problem.



Bean absolutely and positively did not believe in anything even vaguely paranormal. But for the past week or so, she’d had the strangest feeling that something bad was coming. She woke up in the morning with a hard pit in her stomach, as though she’d swallowed something malig¬nant, growing, and the weight stayed with her all day, making her heels clack more sharply on the subway steps, her body ache after only a few minutes of running on the treadmill, jewel-toned cocktails simmer in her stomach until she left them in their glasses to sweat into water on the mahogany bars of the city’s trendiest watering holes.

Nothing in her bag of tricks made the feeling go away—not seducing a hapless investment banker over the din of a club, not a punishing spin class that left her so rubbery and tired that she vomited into the toilet at the gym, not a new pair of shoes that cost as much as the rent she paid for her tiny closet of a bedroom in a shared apartment in Manhattan. As a matter of fact, that last one made the rock inside her turn into steel.

When the moment she had been dreading finally came, the managing partner of the law firm she worked at arriving at her desk and asking to see her in his office, it was almost a relief. “If it were done, when ’tis done, then ’twere well it were done quickly,” she quoted to herself, following his wizened steps into his office.

“Have a seat, Bianca,” he said.

In New York, everyone called her Bianca. Men, upon asking for her number in a terminally hip watering hole, would have to ask her to repeat it, and then, upon comprehension, would smile. Something about the name—and, honestly, few of them had the synapses to rub together at that point in the evening to make any sort of literary connections, so it must have been something else—made her even more attractive to them.

To us, however, she would always be Bean. And it was still the way she spoke to herself. “Nice going, Bean,” she would say when she dropped something, and her roommates in the city would look at her curiously. But being Bianca was a part she played well, and she wondered if part of the sickness she felt inside was knowing that performance was coming to an end. Forever.

She perched on the edge of one of the leather wing chairs in his sitting area. He sat in the other. “We’ve been doing a bit of an accounting audit, you see,” he said without preamble.

Bean stared at him. The pit inside her stomach was turning into fire. She stared at him, his beetled, bushy eyebrows, his soft, wrinkled hands, and wanted to cry.

“We’ve found a number of . . . shall we say, anomalies in the payroll records. In your favor. I’d like to think they’re errors.” He looked almost hopeful.

She said nothing.

“Can you tell me what’s been happening, Bianca?”

Bean looked down at the bracelet on her wrist. She’d bought it at Tif¬fany months ago, and she remembered the strange seizing in her stomach as she’d handed over her credit card, the same feeling she’d gotten lately when she bought anything, from groceries to a handbag. The feeling that her luck was running out, that she couldn’t go on, and maybe (most ter¬rifying of all), maybe she didn’t want to.

“They aren’t errors,” Bean said, but her voice caught on the last word, so she cleared her throat and tried again, louder. “They aren’t errors.” She folded her hands in her lap.

The managing partner looked unsurprised, but disappointed. Bean wondered why they’d chosen him for this particular dirty work—he was practically emeritus, holding on to this corner office for no good reason other than to have a place to escape from his wife and while away the hours until he died. She considered trying to sleep with him, but he was looking at her with such grandfatherly concern the idea withered on the vine before she could even fully imagine it. Truthfully, she felt something that could only be described as gratitude that it was him, not one of the other partners whose desperation to push themselves to the top had made their tongues sharp as teeth, whose bellows of frustration came coursing down the hallways like a swelling tide when things dared not go their way.

“Are you well?” he asked, and the kindness in his voice made her heart twist. She bit her tongue hard, blinked back tears. She would not cry. Not in front of him, anyway. Not here. “It’s a great deal of money, Bianca. Was there some reason . . . ?” His question trailed off hopefully.

She could have lied. Maybe she should have been picturing this scene all along, planning for it. She was good at the theater of life, our Bean, she could have played any part she wanted. But lying seemed desperate and weak, and she was suddenly exhausted. She wanted nothing more than to lie down and sleep for days.

“No,” she said. She couldn’t meet his eyes. “No good reason.”

He sighed at that, a long, slow exhale that seemed to make the air move differently in the room. “We could call the police, you know.”

Bean’s eyes widened. She’d never thought about that. Why had she never thought about that? She’d known stealing from her employers was wrong, but somehow she’d never let herself think that it was actually criminal (criminal! how had it come to that?). God, she could go to jail. She saw herself in a cell, in an orange jumpsuit, stripped of her bracelet and her makeup and all the armor that living in the city required of her. She was speechless.

“But I don’t think that’s entirely necessary. You’ve done good work for us. And I know what it’s like to be young in this city. And it’s so un¬pleasant, involving the police. I’d imagine that your resignation will be enough. And, of course, you’ll repay your debt.”

“Of course,” Bean said. She was still frozen, wondering how she’d managed to miscalculate so badly, wondering if she really was going to squeak out of here with nothing but a slap on the wrist, or if she’d be nabbed halfway out of the lobby, handcuffs on her wrists, her box of personal effects scattering on the marble floor while everyone looked on at the spectacle.

“It might be worthwhile for you to take a little time. Go home for a bit. You’re from Kentucky, aren’t you?”

“Ohio,” Bean said, and it was only a whisper.

“Right. Go back to the Buckeye State. Spend a little time. Reevaluate your priorities.”

Bean forced back the tears that were, again, welling out of control. “Thank you,” she said, looking up at him. He was, miraculously, smiling.

“We’ve all done foolish, foolish things, dear. In my experience, good people punish themselves far more than any external body can manage. And I believe you are a good person. You may have lost your way more than a little bit, but I believe you can find your way back. That’s the trick. Finding your way back.”

“Sure,” Bean said, and her tongue was thick with shame. It might have been easier if he had been angry, if he’d taken her to task the way he really should have, called the police, started legal proceedings, done something that equaled the horrible way she’d betrayed their trust and pissed on everything she knew to be good and right in the service of nothing more than a lot of expensive clothes and late-night cab rides. She wanted him to yell, but his voice remained steady and quiet.

“I don’t recommend you mention your employment here when you do seek another job.”

“Of course not,” Bean said. He was about to continue, but she pushed her hair back and interrupted him. “I’m sorry. I’m so, so sorry.”

His hands were steepled in front of him. He looked at her, the way her makeup was smudging around her eyes, despite her impressive ability to hold back the tears. “I know,” he said. “You have fifteen minutes to get out of the building.”

Bean fled.

She took nothing from work. She cared about nothing there anyway, had never bothered to make the place her own. She went home and called a friend with a car he’d been trying to sell for junk, though even that would take nearly the last of her ill-gotten gains, and while he drove over, she packed up her clothes, and she wondered how she could have spent all that money and have nothing but clothes and accessories and a long list of men she never wanted to see again to show for it, and the thought made her so ill she had to go into the bathroom and vomit until she could bring up nothing but blood and yellow bile, and she took as much money as she could from the ATM and threw everything she owned into that beater of a car and she left right then, without even so much as a fare-thee-well to the city that had given her . . . well, nothing.



Because Cordelia was the last to find out, she was the last to arrive, though we understand this was neither her intention nor her fault. It was simply her habit. Cordy, last born, came a month later than expected, lazily sweeping her way out of our mother’s womb, putting a lie to the idea that labor gets shorter every time. She has been late to everything since then, and is fond of saying she will be late to her own funeral, haw haw haw.

We forgive her for her tardiness, but not for the joke.

Would we all have chosen to come back, knowing that it would be the three of us again, that all those secrets squeezed into one house would be impossible to keep? The answer is irrelevant—it was some kind of sick fate. We were destined to be sisters at birth, and apparently we were des¬tined to be sisters now, when we thought we had put all that behind us.

While Bean and Cordy were dragging their baggage (literal and meta¬phorical) across the country, Rose was already safely ensconced in our childhood home. Unlike Bean and Cordy, Rose had never been away for very long. For years she had been in the habit of having dinner with our parents once or twice a week, coming home on Sundays. Someone, after all, had to keep an eye on them. They were getting older, Rose told Bean on the phone, with exactly the right amount of sighing to convey that she felt she was doing Bean and Cordy’s duty as well as her own. And usually her visits to our house for Sunday dinner felt like duty, equal parts frustration and triumph as she reminded our father that he had to mow the lawn before the neighbors complained, as she bustled around the living room putting bookmarks in books left open, their spines strain¬ing under the weight, as she reminded our mother that she actually had to open the mail, not just bring it inside. It was a good thing, Rose invari¬ably told herself when she left (with not a little satisfaction on her face) that she was here. Who knows what kind of disarray they’d fall into with¬out her?

But moving home? At the advanced age of thirty-three? Like, for per¬manent, as Cordy might say?

She should have been living in the city with her fiancé, Jonathan, hav¬ing recently signed her first contract as a tenured professor, waving her engagement ring around wildly whenever she came back to Barnwell just to show that she was, in fact, not just the smart one, that Bean was not the only one who could land a man, and our father was not the only pro fessorial genius in the family. This is how it should have been. This is how it was:

ACT I

Setting: Airport interior, and Jonathan’s apartment, just after winter break Characters: Jonathan, Rose, travelers

Rose had changed positions a dozen times as the passengers on Jon¬athan’s flight came streaming through the airport gates. She was looking for the right position for him to catch her in; the right bal¬ance of careless inattention and casual beauty, neither of which would betray how much she had missed him.

But when he finally did emerge, cresting over the gentle grade of the ramp that led from the gate, when she could see his rumpled hair bobbing above the heads of the other passengers, the graceful way his tall, reedy shoulders were bent forward as though he were walk¬ing into an insistent wind, she forgot her artifice and stood, dropping her book by her side and smoothing her clothes and her hair until he was in front of her and she was in his arms, his mouth warm against her own.

“I missed you,” she said, running her hand down his cheek, mar¬veling at the fact of his presence. Light stubble brushed against her palm as he moved his chin against her touch, catlike. “Don’t ever go away again.”

He laughed, tipping his head back slightly, and then dropped a kiss on her forehead, shifting his bag over his shoulder to keep it from slipping. “I’ve come back,” he said.

“Yes, and you are never allowed to leave again,” Rose said. She’d think back on that later and wonder if his expression had changed, but at the time she didn’t notice a thing. She picked up her book and slipped her hand into his as they headed to pick up his luggage.

“Was it that awful? Your sisters didn’t come home when they got

your father’s letter?” He turned to face her so he was standing back¬

ward on the escalator, his hands spread over the rails.

“No, they didn’t come home, and thank heavens, because that would have been even worse. It’s just been me and Mom and Dad.”

“Lonely?” He turned back and stepped off the escalator, holding

his hand out to help her step off. Swoon-worthy, as Cordy would

have said.

“Ugh. I don’t want to talk about it. How was your trip?”

Jonathan had been gone for two weeks, nearly the entire break, presenting at a conference in Germany and stopping on the way back to visit friends in England. Rose had carefully crossed each passing day off in her day planner, feeling like a ridiculous schoolgirl with a crush but unable to stop herself. Ridiculous, she knew. When they had been a couple for only a few months, she’d been the one to utter the magical four-letter word first, breathless and laughing as they lay on his bed and he alternated between kissing her neck and tickling her mercilessly. She’d been thinking that this was love for weeks, but she couldn’t say it first, and then the words slipped out in a rush of giddiness. She’d frozen, horrified at her own lack of control, but then he’d whispered back that he loved her, too, and her relief and happi¬ness made her feel faint. Being without him had felt like a cruel am¬putation, and she reached out for his hand to remind herself that he was there, after all.

He took her hand in his and lifted it to his mouth, kissing her fingertips. “You look lovely,” he said. “I’d forgotten how beautiful you are.”

Rose blushed and shook her head, smoothing her clothes again with her free hand. “I look awful. I didn’t have time to change and—”

Jonathan cut her off with another kiss, this time in the center of her palm. “I wish you could see yourself through my eyes,” he said softly. “My vision is better.”

She drove them back to his apartment and they hauled his suit¬case inside. She hadn’t been here since he’d left—he had no pets, no plants, and there was no reason for her to visit unless he was there— and the air was thick and stale. She opened the windows and turned on the fan, and they sat together on the sofa, fingers entwined, until he cleared his throat awkwardly. “I’ve got a little news.”

“Good or bad?” Rose wasn’t quite listening. She reached out with her free hand and stroked a wayward lock of hair behind his ear. It had gotten long—she’d have to make an appointment for him to have it cut.

“Excellent, actually. While I was in Oxford with Paul and Shari—”

“How are they, by the way?” Paul had been Jonathan’s roommate in their doctoral program, and many of Jonathan’s best stories re¬volved around their misadventures.

“Great—sleep-deprived, you know, but head over heels with the baby, and they seem happy. I’ve got pictures. They’d love to meet you.”

Rose laughed. “Not likely, unless they’re considering a trans¬atlantic flight with a newborn.”

Jonathan swallowed awkwardly. “Well, that’s the thing, love. When I was over there, Paul and I had lunch with his dean.” He paused, searching for the next words, and Rose felt her heart growing colder, a thin sheet of ice covering its surface like frost on a windowpane.

“He’s very interested in my research. He wants me to join the faculty there—a lab of my own, graduate students to work with me. It’s ideal. A perfect opportunity.”

Rose reached for the glass of water he’d left for her on the coffee table. Her mouth was painfully dry, her throat ached. Alone again. It seemed it was Just Her Luck to have finally found her Orlando, her perfect love, only to have him leave her. Shakespeare’s Rosalind had never had this kind of problem; she was too busy cross-dressing and frolicking around in forests with her servant. Rough life. Rose set the glass back on the table and slipped her other hand from his.

“So you’re leaving,” she said dully, when she could push her parched lips into words again.

“I’d like to,” he said softly. He reached for her hand again, but she moved so she was facing forward, away from him, her ankles crossed primly, hands folded in her lap, as though she were waiting to be served at a particularly stuffy tea party.

“But we were supposed to get married,” she whispered.

“And we will, of course we will. I’m not saying that at all. But I’d be a fool to turn this down. You can see that, can’t you?” His voice was pleading, but she turned away.

“When are you going?” “I haven’t said I am, as of yet. But I could start at the beginning of the third term, just after Easter.” “Your contract here goes through the end of the year, doesn’t it?

You’re just going to break your contract?” “Rose, don’t be like that. Please hear me out. I want you to come with me.”

Rose turned her head toward him and barked a short, harsh laugh. “To England? You want me to come to England with you? You have got to be kidding, Jonathan. I have a job. I have a life here. I’m not like you. I don’t get to go globe-hopping every time I get a whim.”

“That’s a bit harsh, don’t you think?” he asked, recoiling from the bite. Our Rose, whose tongue more poisons than the adder’s tooth! He rubbed his hands quickly on his knees and stood up, rumpling his hair impatiently. “It could be good for us—for both of us. For me, yes, but for you, too. You haven’t got a job past next year, right?”

“Is this supposed to make me feel better?” Rose had been told this spring, in no uncertain terms, that her adjunct contract wouldn’t be renewed after this year. No hard feelings, nothing personal, but they hadn’t any tenure-track positions open, and it was so important to keep the department adjuncts fresh, to keep the curriculum vital, you know. Yes, Rose had thought sourly, and because you can keep mill¬ing through those brand-new Ph.D.s and never have to give them a penny more than you think you can get away with. The thought of having to find a new job paralyzed her, the thought of being without a job paralyzed her, and she was highly tempted to stick her fingers in her ears and sing until the entire thing blew over.

“I don’t know about better. But I’d hoped you’d be at least a little happy for me.”

She looked up at him, his eyes sad and wounded, and she crum¬bled a little. “I am. I’m sorry. But it’s so big. . . . It’s such a huge change from what we were planning.”

“We always knew we’d have to consider it, love. My position here is only temporary, you know that.”

“But I thought maybe . . .” Rose didn’t want to say what she had thought. She’d just assumed that he would give up this fancy aca¬demic jet-setting and find something nearby, something where she wouldn’t have to go anywhere. Where she wouldn’t have to change at all. “I’m sorry,” she said again.

“Oh, Rose, I’m sorry, too. Let’s not talk about it anymore. Let’s just enjoy being together for a bit.”

He came over to her and put his arms around her and kissed her, and that did only a little to soothe the ache inside where her heart had been bruised. So that was it. He wouldn’t stay, and she wouldn’t—couldn’t—go. It was ridiculous to even think about it.

His hands were in her hair, slowly pulling the pins out and letting it fall down her back the way he liked it, stroking the tresses the way she liked it, the gentle pull against her scalp so soothing. She wasn’t paying attention. Bean and Cordy were sitting on her shoulders, whispering in her ears like a cartoon devil and angel. Or two devils, really. “You could go if you wanted to, Rosie,” our youngest sister said. “Just pick up and go. It’s not so hard. I do it all the time.”

“What are you afraid of?” Bean mocked. “Don’t want to leave your glamorous life behind?” Okay, so it wasn’t a glamorous life. But it was important. She was important. We needed her. Didn’t we?

Bean and Cordy didn’t answer. Bean was adjusting her horns, and Cordy was chasing her own forked tail. You need me, Rose thought fiercely. They turned away.

“Hush,” Jonathan said, as though he could hear the busy spin¬ning of Rose’s thoughts, and he kissed her, and we fell off her shoul¬ders as though we’d been physically brushed aside.



ACT II

Setting: Interior, the Golden Dragon, a small Chinese restaurant a few towns over, famed more for its convenience than its cuisine. Also the site of an infamous embarrassment for Bean, aged eight, in which she devoured a sweet and sour pork entrée all by herself and then regurgitated the entire thing tidily into the mouth of a fake dragon hidden behind a plant, certain it would never be found there. Characters: Rose, Jonathan, our father, our mother.

They sat around the table, the four of them, sharing dishes and com¬panionable chatter. Tea steamed in tiny cups, and Rose was fumbling with her chopsticks, envying Jonathan’s easy grace with the infernal things.

“We have something to tell you,” our father said, clearing his throat.

Rose looked up quickly, warily. This was the sort of announce¬ment that had preceded the game-changing births of both Bean and Cordy. Whatever the news was, it wasn’t bound to be good.

Our father cleared his throat again, but it was our mother who spoke, leaping in, tearing off the conversational Band-Aid. “I have breast cancer,” she said.

The ice in Rose’s throat grew solid, and she grabbed for her still-scalding cup of tea, taking a long swallow, letting the liquid burn away the freeze inside her, leaving a bubble on her tongue she would feel every time she spoke for the next few days. There was silence. The few other diners in the restaurant kept eating, oblivious.

“Mom,” Rose finally said. “Are you sure?”

Our mother nodded. “It’s early, you see. But I found a lump— what was it, a month ago?” She looked at our father for confirmation, the quiet ease of cooperative conversation they had developed years ago. He nodded.

“A month ago?” Rose’s voice cracked. She set down her teacup, hand shaking. “Why didn’t you call me? I could have . . .” She trailed off, unsure of what she could have done. But she could have done something. She could have taken care of this. She took care of every¬thing. How had she missed this? A month, they’d been going to doc¬tors and having quiet conversations between themselves, and she hadn’t seen it at all?

“We’ve been to the oncologist, and it’s malignant. It doesn’t look like it’s spread, but it’s quite large. So they’re going to do a round of chemotherapy before surgery. Shrink it down a bit. And then . . .” Our mother’s voice caught and trembled for a moment, as though the meaning behind the clinical words had only just become clear to her, and she swallowed and took a breath. “And then a mastectomy. You know, just get the whole problem dealt with.” She said this as though it were something she had woken up and decided to do on a relative lark. Like going on a cruise, say, or taking up tennis.

“I’m so sorry,” Jonathan said. He reached across the table and put his hand over our mother’s, squeezed. He was so elegant in his sympathy. “What can we do?”

Rose stared wildly around the restaurant, at the gilt and red and paper placemats. This is what she would remember, she knew, not the fear in our mother’s eyes, or the pounding of her own heart, but how desperately tacky this place was, how cheap it looked, how the chopsticks had not broken properly when she had separated them but splintered along the center. This is what she would remember.

But when the shock passed, it had become something, forgive her for saying it, something of a relief. Thank God, a purpose. An excuse to be needed. A reason to turn Jonathan’s abandonment into something important. So the next day she broke her lease, packed up her things, and moved back home, uninvited.

It wasn’t until she had been home for a while, had straightened out the little messes around the house and helped our mother through the first rounds of chemotherapy that the shame of her situ¬ation had hit her. How humiliating to be living at home again. If she told people that she had moved back to help care for our mother, of course they would nod and sigh sympathetically. But still, where was she? Living with our parents? At her age? She felt like a swimmer who had been earnestly beating back the waves only to find herself exhausted and just as far from shore as when she had begun. She was lonely and tired.

Embarrassed even by the thought of herself in this rudderless life, she flushed and stood impatiently from the window seat, where she’d been staring in irritation at our mother’s wildflower garden. The gar¬den had, in the way of wildflower gardens, grown out of control. Our mother loved it—the way it drew butterflies and fat bees, the dizzy way the purples and yellows blurred together as the stems tangled— but Rose preferred her gardens to be more obedient.

She turned to look back into the living room, one dim light behind our father’s favorite sun-paled orange wing-back chair spreading shadows over the opened books that covered every surface despite her attempts to keep them orderly. Our family’s vices—disorder and literature—captured in evening tableau. We were never organized readers who would see a book through to its end in any sort of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate. Our father, of course, limits his reading to things by, of, and about our boy Bill, but our mother brought diversity to our readings and therefore our education. It was never really a problem for any of us to read a children’s biography of Amelia Earhart followed by a self-help book on alcoholism (from which no one in the family suffered), followed by Act III of All’s Well That Ends Well, followed by a collection of Neruda sonnets. Cordy claims this is the source of her inability to focus on anything for more than a few minutes at a time, but we do not believe her. It is just our way.

And it wasn’t that Rose regretted being home, exactly. Our par¬ents’ house and Barnwell in general were far more pleasant than the anonymous apartment she’d rented in Columbus—thin carpet over concrete floors, neighbors moving in and out so quickly she’d stopped bothering to learn their names—but after she filled our par¬ents’ pill cases and straightened the living room, after she had finally hired a lawn service and balanced the checkbook, after she went with our parents to our mother’s chemo treatments, sitting in the waiting room because they didn’t need her there, not really, they would have been fine just the two of them, her life was almost as empty as it had been before.

The tiny clock on the mantelpiece chimed ten, and Rose sighed in relief. Ten was a perfectly acceptable hour to go to bed without feeling like a complete loafer. She walked toward the stairs and then paused by the mirror, warped and pale, that had hung there since any of us could remember. Rose stared at her reflection and spoke six words none of us had ever said before.

“I wish my sisters were here.”



The fox, the ape and the humble-bee, Were still at odds, being but three.

Our father once wrote an essay on the importance of the number three in Shakespeare’s work. A little bit of nothing, he said, a bagatelle, but it was always our favorite. The Father, the Son, the Holy Spirit. The Billy Goats Gruff, the Three Blind Mice, Three Men in a Boat (To Say Nothing of the Dog ). King Lear—Goneril, Regan, Cordelia. The Merchant of Venice—Portia, Nerissa, Jessica.

And us—Rosalind, Bianca, Cordelia.

The Weird Sisters.

We have, while trapped in the car with our father behind the wheel, been subjected to extended remixes of the history of the word “weird” in Macbeth with a special encore set of Norse and Scottish Sources Shake¬speare Used in Creating This Important Work. These indignities we will spare you.

But it is worth noting, especially now that “weird” has evolved from its delicious original meaning of supernatural strangeness into something depressingly critical and pedestrian, as in, “‘Don’t you think Rose’s outfit looks weird?’ Bean asked,” that Shakespeare didn’t really mean the sisters were weird at all.

The word he originally used was much closer to “wyrd,” and that has an entirely different meaning. “Wyrd” means fate. And we might argue that we are not fated to do anything, that we have chosen everything in our lives, that there is no such thing as destiny. And we would be lying.

Rose always first, Bean never first, Cordy always last. And if we don’t accept it, don’t see, like Shakespeare’s Weird Sisters did, that we can¬not fight our family and cannot fight our fates, well, whose failing is that but our own? Our destiny is in the way we were born, in the way we were raised, in the sum of the three of us.

The history of this trinity is fractious—a constantly shifting dividing line, never equal, never equitable. Two against one, or three opposed, but never all together. Upon Cordy’s birth, Rose took Bean into her, two against one. And when Bean rebelled, refused any longer to play Rose’s games, Rose and Cordy found each other, and Cordy became the willing follower. Two against one.

Until Rose went away and we were three apart.

And then Bean and Cordy found each other sneaking out of their re¬spective windows onto the broad-limbed oak trees one hot summer night, and we were two against one again.

And now here we are, measuring our distance an arm’s length away, staying far apart and cold. For what? To hold the others at bay? To pro¬tect ourselves?

We see stories in magazines or newspapers sometimes, or read novels, about the deep and loving relationships between sisters. Sisters are sup¬posed to be tight and connected, sharing family history and lore, laughing over misadventures. But we are not that way. We never have been, really, because even our partnering was more for spite than for love. Who are these sisters who act like this, who treat each other as their best friends? We have never met them. We know plenty of sisters who get along well, certainly, but wherefore the myth?

We don’t think Cordy minds, really, because she tends to take things as they come. Rose minds, certainly, because she likes things to align with her mental image. And Bean? Well, it comes and goes with Bean, as does everything with her. To forge such an unnatural friendship would just require so much effort.

Our estrangement is not drama-laden—we have not betrayed one an¬other’s trust, we have not stolen lovers or fought over money or property or any of the things that irreparably break families apart. The answer, for us, is much simpler.

See, we love one another. We just don’t happen to like one another very much.

"Irresistible."
-The Boston Globe

"[A] charming debut novel...cleverly written from the sisters' perspective...Though the book is named after witches in the play Macbeth, you need not be a Shakespeare scholar to fall in love with this feel-good story-or the bewitching sisters."
-Woman's Day

"Lovely...This novel should appeal to Shakespeare lovers, bibliophiles, fans of novels in academic settings, and stories of sisterhood. The narration is a creative and original blending of the three 'Weird Sisters' as one."
-Library Journal

"Brown writes sweetly of the transition so many adults struggle to make before their parents' eyes, from children to caretakers themselves."
-The Cleveland Plain Dealer

"A family drama, gracefully costumed in academic garb and lit with warm comedy."
-The Washington Post

"Hilarious and utterly winsome."
-Sarah Blake, New York Times bestselling author of The Postmistress

"Delightful...pulls us into the heart of the family circle...That's Brown's great gift: She draws you in and makes you believe her weird sisters aren't so weird after all."
-The Miami Herald

"What a joy to read. What a VOICE."
-Helen Simonson, New York Times bestselling author of Major Pettigrew's Last Stand

Alex George, author of A Good American, interviews New York Times–bestselling author Eleanor Brown about The Weird Sisters


Q. The Weird Sisters is centered on three adult sisters who move back to their childhood home, and the ways they react to this reintroduction to the family fold. You have moved about quite a lot during your adult life; did writing about going home have particular significance for you?

While I believe very much in the idea of blooming where you are planted, I also think there are certain places where we feel more comfortable, more “at home,” and I have definitely spent time seeking that. I’ve loved different things about all the places where I’ve lived, but they haven’t all been healthy or happy places for me. And that’s what the sisters in the story struggle with—what they want or think they want isn’t always the right thing for them, and where they live is part of that.

Q. As the daughters of a Shakespearean professor, the sisters are named after characters from the Bard’s plays. You had a host of possibilities to choose from—I’m curious about how, and why, you settled on Rosalind, Bianca, and Cordelia.

I’m fascinated by the influences that contribute to making us who we are, and The Weird Sisters is deeply concerned with two of those: birth order and naming. I firmly believe that I would be a different person if my parents had given me a different name, just as the sisters in the book would be different if I had named them after other Shakespearean heroines.

I chose these specific names because the Shakespearean characters had specific traits I wanted to bring out in my characters. That’s the advantage of being an author instead of a parent—knowing how people are going to turn out before you name them!

Q. The girls’ father is a gloriously eccentric professor, and the family members frequently resort to quoting lines from Shakespeare rather than expressing themselves in their own words. How did you find exactly the right quotation for each situation? And did you ever steer the characters’ conversation a certain way in order to incorporate a particular Shakespearean quotation?

Using Shakespearean quotations started as a way to imitate how families develop their own languages—nicknames, punch lines—and ended up expanding into a meditation on how families communicate, and how difficult it is to change patterns once they are set.

I did a great deal of research before and while I was writing the book, including rereading and rewatching a number of the plays, and keeping notes of particularly delicious lines. But I realized as I wrote that I couldn’t bend a scene just to use a line, so I would often go running back to my Complete Works or a Shakespeare concordance to find something appropriate. The family has such encyclopedic knowledge of Shakespeare’s works that they’re forever taking things completely out of context, which just contributes to the confusion over what they are trying to say. Take it from me, quoting Shakespeare when things get emotionally difficult is not a great way to communicate.

Q. One of the many things I loved about The Weird Sisters is how, while the story is set firmly in the town of Barnwell, it is impossible to date it precisely. Why did you do that? In your mind, do you know when the story is set?

There were two main reasons for leaving the book slightly unmoored in time. The first was that the Andreas family is unusual. They are a family of readers (and they’re more likely to read Shakespeare than the latest blockbuster novel) in a small college town in the summer, when things feel dreamlike and time moves differently. I wanted them to be “in the world, but not of it,” so leaving things indefinite felt appropriate.

The second is that as a reader, I worry that too many references to brand names, or celebrities, or technology, or politics, can make a book stale before its time, and I didn’t want that to happen with The Weird Sisters. If you read very closely and do some math, you can come up with a span of about a decade when the book could be set, but that doesn’t have a great influence on the story.

Q. Final question, and it’s fantasy time. You can put your novel into the hands of any one person in the world, in the knowledge that this person will read it. Whom do you choose, and why?

Writing The Weird Sisters was my way of figuring out the answers to questions that were troubling me: for instance, why, despite all my grown–up responsibilities, I didn’t feel like an adult; why family roles are so fixed; why, no matter what I achieved, I felt like a failure, like I was always falling behind everyone else. One of the great miracles of having this story published is the number of people of all ages who have said to me, “I feel the exact same way.”

Since giving it to myself would cause all kinds of disruptioans in the space–time continuum, I suppose I’d like to give it to someone else who is struggling with some of those same questions, as a way of telling that person, “You’re not alone.”


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